Basic Principles of Russian Ballet Technique Agrippina Vaganova

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Product Description

Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dance, there was no truly Russian school of dancing until the 1930’s.  The development of this school was largely due to Mme. Vaganova (1879-1951), not only a great dancer, but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.

The principles of Vaganova’s system are presented in this well know book.  Mme. Vaganova’s aim of creating a persona approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries.  Her ability to choose the best of what had been accomplished is the various ballet traditions (French, Italian and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance.  She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance.  She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.

Her book discusses all basic principles of ballet, grouping movements by fundamental types.  Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, pointe work, and the exact foot, leg, arm and body positions for the proper execution of many steps and movements.  The result is a fundamental theory of dance with offers dancers, teachers, and ballet lovers information often difficult to locate in other books.